The album was released in 2006 with a small tour. They agreed to record a new album titled "El Tiempo De Las Cerezas". After some time he connected with Spanish singer songwriter Nacho Vegas. Bunbury took a trip to disconnect and clear his thoughts by spending some time in Cuba.
In 2005 after 8 years together, Bunbury dissolved the band due to a series of events that caused Bunbury to feel frustrated with the record label and his future. This band was known as the "Huracán Ambulante" ("Wandering Hurricane") they had great energy on stage and performed with tremendous gusto. His band also underwent changes, Boguslavsky was replaced by Rafa Dominguez, and new faces came on board: Ana Belén Estaje (violin), Luis Miguel Romero (percussion), Javier Iñigo, Javier Garcia Vega & Antonio Ríos in the metal instruments. Known for reinventing himself, in 1999 Bunbury released the album Pequeño (Small), which sounded very different from anything he had ever done before. The band eventually broke up in 1996 and Bunbury embarked on his solo career in 1997 by launching an electro-rock album, Radical Sonora with his new band: Copi (piano), Del Moran (bass), Ramon Garcias (drums) and former Héroes del Silencio guitarist Alan Boguslavsky. After adopting the nickname of Bunbury, taken from the Oscar Wilde stage play The Importance of Being Earnest, the musician founded the band Héroes del Silencio, becoming a major number in the Hispanic rock scene. In 1984, Bunbury joined a group called Zumo de Vidrio, debuting as a lead vocalist. They make this album a powerful release of instrumental ideas led by melodic guitar lines, lush keyboard harmonies, and powerful horn interplay.Bunbury got involved in music in the early 1980s, making his debut in a high school band called Apocalipsis, and later played along with Proceso Entrópico.
The rest of the album’s artistic canvas comes from the featured West Coast-based musicians. These three worked tirelessly to revalidate the art of making records, from crafting the lyrics and the selection of a repertoire to carefully writing the musical arrangements and recording in optimal conditions. The production duties for the album were split three ways between Gustavo Borner, Germán Wiedemer and Calamaro himself. The lyrics also contemplate metaphysical questions. The Bible, Nietzsche, Maradona, Joaquin Sabina, and Los Tigres del Norte are several of the references (not influences) that can be heard on Cargar La Suerte. The new recordings reveal Andrés Calamaro as an artist at the command of a long-standing aesthetic journey. He offers us a mature rock and roll album, with elegance and inspiration, beauty and sensibility. Video for the single “Verdades Afiliadas”:Ĭalamaro selected the city of Los Angeles to record Cargar La Suerte. The album is a collection of twelve artistic and affective songs, which each touch upon the human experience. With the album Cargar La Suerte, the iconic Argentinean musician Andrés Calamaro is back with renewed artistry and energy two decades after the release of the renowned Alta Suciedad. One of the most important rock icons from Latin America and Latin Grammy®-winnerĪNDRÉS CALAMARO releases new album Cargar La Suerte.His career together with Los Abuelos de la Nada, Los Rodríguez, or as a soloist (30 solo albums to date) position him as one of the most successful and original Latin artists of the last four decadesĬredits include a diamond certified album and numerous gold and platinum albumsĬalamaro’s most popular songs on Spotify alone have more than 200 million combined streams.Vesper Public Relations.